BALMOND 3D WALLPAPER

BALMOND 3D WALLPAPER

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With no clear vision of what they would achieve together, Sabin began to attend weekly lab meetings and Jones began to participate in studio meetings. Soon after, by chance encounter, she would meet Dr. Together Sabin and Jones would set out to produce new modes of thinking, working and creating in design and the sciences through a co-endeavor they befittingly called LabStudio. Furthermore, a focus on project-based application can help primary researchers in the sciences understand the applied research implications of their work, better enabling it. Hypothesis-driven research is a reductive model, which must be proven by data and repeatable. Two of these projects, eSkin and KATS Cutting and Pasting – Kirigami in Architecture, Technology, and Science , examine controlled elastic response, and optical color and transparency change, based on principles of structural color at very small scales. The research and experimental design of Jenny Sabin extends the lineage of this work into the 21st Century.

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With no clear vision of what they would achieve together, Sabin began to attend weekly lab meetings and Jones began to participate in studio meetings.

The research and experimental design of Jenny Sabin extends the lineage of this work into the 21st Century. Whatever each new collaboration may bring, Sabin knows she will learn from the experience and it will drive her thinking forward. She embraces open-ended relationships with visionary scientists and seeks high-risk, high-impact creative thinking that can expand her own vision as well as knowledge.

Years later, structural engineer and architect, Frei Otto, developed tensile structures by studying soap bubbles and organisms such as radiolaria.

Yet with the onset of big data, the scientific method has been turned upside down. It is now about behavior and process, about detecting trends and patterns, which requires the more speculative approach of designers. Working on projects with a wide-range of scientists and engineers, and funded by the NSF, Sabin has focused on smart material prototypes and systems. For example, Sabin’s myThread Pavilion commissioned by Nike demonstrated the large-scale potential of its new FlyKnit technology.

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She is interested in how the next wave of 3D printers and digital looms are enabling architects to once again become master builders. The ability to sift through information, to hone in on what is important, to synthesize and to relate information systemically are now imperative skills in science.

Such devices allow the architect to design and create simultaneously. Soon after, by chance encounter, she would meet Dr.

Jenny Sabin

Despite such challenges, Sabin persists in the development of new models that enable authentic interdisciplinary partnerships. A focus on project-based application can help primary researchers in the sciences understand the applied research implications of their work, better enabling it. With an educational grounding in bio-chemistry, fine art and architecture, Sabin is the leader of Sabin Design Lab at Cornell AAP, a hybrid research and design unit with specialization in computational design, data visualization, and digital fabrication.

In doing so, Jenny Sabin is showing her peers in design that the creativity does not confine itself to just one field. Sabin’s work investigates ballmond relationships between human creativity, technology, and nature. Researching materials, experimenting with new technologies, and collaborating across science and engineering fields, Sabin explores the ways in which buildings can one day both look and behave like organisms.

Together Sabin and Jones would balmojd out to produce new modes of thinking, working and creating in design and the sciences through a co-endeavor they befittingly called LabStudio.

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With an instinct to learn through collaboration, she searches beyond the parameters of tradition to weave new knowledge and new techniques together in the formation of new design possibilities.

Produced in consultation with, and in honor of, Emeritus Professor of Fiber Science Kay Obendorf, the PolyForm pavilion will housed within transparent walls of colored film, is hue and luminosity varying with the position of the visitor, and combining with the complex skin of geometries overlaid and interwoven with each other.

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Two of these projects, eSkin and KATS Cutting and Pasting – Kirigami in Architecture, Technology, and Scienceexamine controlled elastic response, and optical color and transparency change, based on principles of structural color at very small scales. Through the experience, Sabin realized that architects offer scientists the ability to model data in incredibly useful and communicative ways.

Architects like Sabin offer scientists a different way of thinking and making. Furthermore, a focus on project-based application can help primary researchers in the sciences understand the applied research implications of their work, better enabling it. But working across fields is not easy: A non-linear systems biologist, Jones was curious to see how the design fields viewed the topic.

In the mid-nineteenth century, German art historian Gottfried Semper argued that architecture began with textiles. Textiles came first; the framing that held them up came later. She believes this type of exchange is essential to transformation. After graduating, Sabin was hired to teach for Balmond as an assistant in his advanced research studio.

Weaving was the basis of architecture. PolyForm, an inhabitable sculpture commissioned by Cornell University which will open incombines elements of eSkin with laser-cutting, developing a PolyWall structure as complex as PolyThread in its geometries, but from powder-coated steel. Even where silos can be easily bridged, field-specific language, methodologies, and the structures by which work is funded, vetted, and published, can create barriers that are hard to dismantle. Inversely, she saw how scientific insights and new technologies could vastly expand potentialities for design.

After seeing the experimental structural engineer, Cecil Balmond, speak in her hometown of Seattle; Sabin was blown away by his ideas of bottom up approaches to design and form making.